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Book
Speak My Name: Investigating Egyptian Mummies
“Speak my name so that I may live again” was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife.Fraser, James ; Lord, Conni ; Magnussen, John
Egypt, Mummies, and Scientific analysis
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Journal article
Layer by layer: the manufacture of Graeco-Roman funerary masks
Ptolemaic cartonnage masks were produced by layering textiles – or reused papyrus sheets – with plaster and glue. Despite the use of the same basic components, the process of manufacture could vary depending on shape, size, time and place. This article aims to clarify the production methods and the different...Vandenbeusch, Marie ; O'Flynn, Daniel ; Moreno, Benjamin
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Book chapter
Defining a Romano-Egyptian painting workshop at Tebtunis
The collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, include eleven mummy portraits excavated between 1899 and 1900 from Tebtunis, Egypt. This group constitutes one of the largest assemblages of Roman-period mummy portraits to remain both together and unrestored since excavation; as such, it presents...Williams, Jane ; Cartwright, Caroline ; Walton, Marc
painting, Egypt, Tebtunis, mummy portraits, scientific research, wood anatomy, and pigments
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Book chapter
Understanding wood choices for ancient panel painting and mummy portraits in the APPEAR project through scanning electron microscopy
In Roman-period Egypt, it is clear that despite maintaining the traditional practice of mummification, there was a fashion for funerary portraiture that echoed Greek and Roman traditions in the Mediterranean region. The excellent condition of preservation of the wood anatomy of these mummy portraits enabled an unexpected revelation from their...Cartwright, Caroline
Egypt, scanning electron microscopy, timber, Roman period, wood anatomy, and mummy portraits
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Journal article
A multi‑scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies
Commonly exhibited in museum galleries, animal mummies have been the focus of interest of both visitors and researchers alike. The study of these animal remains not only provides new insights into embalming techniques, but also brings a unique perspective on religious, social and economic practices. Twenty animal mummies are discussed...Tamburini, Diego ; Dyer, Joanne ; Vandenbeusch, Marie ; Borla, Matilde ; Angelici, Debora …
animal mummies; archaeological textiles; organic dyes; tannins; ancient Egypt
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Book chapter
Mummified human remains from Ancient Egypt and Nubia: an overview and new insights from the British Museum collection
An overview of the mummified human remains from Ancient Egypt and Nubia in the British Museum collection as well as a summary of new insights.Vandenbeusch, Marie ; Antoine, Daniel
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Book chapter
The coffin of Takabuti
Description of coffin belonging to ancient Egyptian mummy of a woman named Takabuti, dating to the 25th Dynasty.Taylor, John
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Book
Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project
This research has revitalized scholarly and scientific research into Roman Period Egyptian mummy portraits and provided a critical tool for understanding their production and influence on the history of art.Svoboda, Marie ; Cartwright, Caroline
science, Roman Period, pigments, multispectral imaging, wood, mummy portraits, painted panels, and Egypt
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Journal article
Natural mummies from Predynastic Egypt reveal the world's earliest figural tattoos
The application of tattoos to the human body has enjoyed a long and diverse history in many ancient cultures. At present, the oldest surviving examples are the mainly geometric tattoos on the individual known as Ötzi, dating to the late 4th millennium BCE, whose skin was preserved by the ice...