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Journal article
Layer by layer: the manufacture of Graeco-Roman funerary masks
Ptolemaic cartonnage masks were produced by layering textiles – or reused papyrus sheets – with plaster and glue. Despite the use of the same basic components, the process of manufacture could vary depending on shape, size, time and place. This article aims to clarify the production methods and the different...Vandenbeusch, Marie ; O'Flynn, Daniel ; Moreno, Benjamin
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Book
Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project
This research has revitalized scholarly and scientific research into Roman Period Egyptian mummy portraits and provided a critical tool for understanding their production and influence on the history of art.Svoboda, Marie ; Cartwright, Caroline
science, Roman Period, pigments, multispectral imaging, wood, mummy portraits, painted panels, and Egypt
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Book chapter
The Roman pottery from Kab Marfu’a
This article looks at a pottery assemblage from the emerald processing site of Kab Marfu'a in the Eastern Desert of Egypt. Dating primarily between the second and fourth centuries AD, it is functionally unusual, comprising a high percentage of imported amphorae and vessels for storage and pouring.Tomber, Roberta
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Journal article
‘A lost chapter of ancient art’: archaeometric examinations of panel paintings from Roman Egypt
Ancient panel paintings on wood are, with the exception of the mesmerising mummy portraits, extremely rare. However, a small corpus of other types of Romano-Egyptian panel paintings is preserved in collections worldwide. The aim of this study is to explore the technical histories of these rare and intriguing artefacts. We...Brøns, Cecilie ; Stenger, Jens ; Newman, Richard ; Cartwright, Caroline ; Di Gianvincenzo, Fabiana …
radiocarbon dating, panel paintings, multi-spectral imaging, wood identification, and Roman Egypt
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Journal article
A Soter (re)connection. Five fragments of shrouds from Roman Egypt at the British Museum
Five fragments of shrouds, held at the British Museum, were rediscovered in the storerooms of the museum in the late 1970s. The style of their decoration suggests that they were produced in the Theban necropolis during the first or second century AD and that they are probably to be associated... -
Book chapter
Understanding wood choices for ancient panel painting and mummy portraits in the APPEAR project through scanning electron microscopy
In Roman-period Egypt, it is clear that despite maintaining the traditional practice of mummification, there was a fashion for funerary portraiture that echoed Greek and Roman traditions in the Mediterranean region. The excellent condition of preservation of the wood anatomy of these mummy portraits enabled an unexpected revelation from their...Cartwright, Caroline
Egypt, scanning electron microscopy, timber, Roman period, wood anatomy, and mummy portraits
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Book chapter
Defining a Romano-Egyptian painting workshop at Tebtunis
The collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, include eleven mummy portraits excavated between 1899 and 1900 from Tebtunis, Egypt. This group constitutes one of the largest assemblages of Roman-period mummy portraits to remain both together and unrestored since excavation; as such, it presents...Williams, Jane ; Cartwright, Caroline ; Walton, Marc
painting, Egypt, Tebtunis, mummy portraits, scientific research, wood anatomy, and pigments
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Journal article
Forensic examination of a fragmentary funerary portrait in the collection of the Harvard art museums
The Harvard Art Museums’ collection includes six Egyptian funerary portraits of the Roman period. These portraits are all that remains of the funerary equipment of individuals whose bodies were carefully prepared for burial and the afterlife. One example, depicting a man, is particularly complicated, broken into multiple fragments which have...Rayner, Georgina ; Eremin, Katherine ; Smith, Kate ; Cartwright, Caroline ; Degryse, Patrick …
workshop, composite, analysis, Roman Egypt, and technical imaging