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Journal article
The use of wood-based products in showcases: an insight into current practices
It has long been established that wood emits volatile organic compounds that can be harmful to museum collections. An online survey was conducted to assess whether museums still used wood and composite wood inside showcases and, should this be the case, what strategies they employed to reduce the risk posed...Bertolotti, Giulia ; Korenberg, Capucine
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Journal article
A non-invasive investigation of Egyptian faience using Long Wavelength Optical Coherence Tomography (OCT) at 2 μm
Egyptian faience is a non-clay ceramic semi-transparent material formed of a quartz core and alkali-lime glaze. Previous investigations have identified production techniques by using microstructure images obtained from invasive methods. Optical coherence tomography (OCT) is a non-invasive 3D imaging technique that produces virtual cross-sections of transparent and semi-transparent materials. A...Read, Margaret ; Cheung, C. S. ; Liang, Haida ; Meek, Andrew ; Korenberg, Capucine
Egyptian faience, optical coherence tomography (OCT), and microstructure
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Book
Painting Amara West: The Technology and Experience of Colour in New Kingdom Nubia
The first in a series of volumes generated by the British Museum's Amara West Research Project, this explores the use of pigments and the experience of colour in the town founded around 1300BC as a centre of the pharaonic administration of Upper Nubia (Kush). Combining scientific analyses, archaeological fieldwork, and...Fulcher, Kate
pigments, colour, and Amara West
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Book
Egypt and Empire: The Formation of Religious Identity after Rome
Across Eurasia and North Africa in the First Millennium AD, empires rose and fell, each adopting a universalizing faith which distinguished it broadly from its neighbours. In Egypt, our sources are particularly rich, owing to the land's arid climate and the unparalleled survival not only of stone, ceramic and metalwork,...O'Connell, Elisabeth R.
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Book chapter
A licence to conserve: cultural diversity as a practical asset in conservation
This paper, co-authored by conservators from the Hirayama Studio at the British Museum, discusses whether staff at a Western institution have the right and appropriate qualifications to conserve objects from different cultures. What is appropriate in conserving culturally diverse material? Do we at the British Museum, on the one hand, risk...Weiss, Carol ; Qiu, Jin Xian ; Kim-Marandet, Meejung ; Kosek, Joanna ; Kusunoki, Kyoko …
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Book
Objects as Insights: R.H. Codrington’s Ethnographic Collections from Melanesia
R.H. Codrington (1830–1922) graduated from Oxford University in 1856 and was ordained in 1857. He volunteered to work in Nelson, New Zealand, from 1860–4 and was appointed as headmaster of the Melanesian Mission training school on Norfolk Island in 1867. He spent the next twenty years in this post and...Stanley, Nick
material culture, Melanesia, Codrington, collecting history, anthropology, and Pacific studies
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Book
A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt
At centre stage in this volume is the Royal Clock Salt, an exceptional national treasure from the courtly culture of the Renaissance. Most probably made in Paris around 1530 by Pierre Mangot, the royal goldsmith to Francis I, the Clock Salt is somewhere between a jewel and a table ornament....Schroder, Timothy ; Thornton, Dora
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Book
The Berthier-Delagarde Collection of Crimean Jewellery in the BM and Related Material
The Berthier-Delagarde Collection is the most significant collection of Early Medieval jewellery from the Crimean region of the Ukraine in the West. The catalogue is important not only for the archaeology of the region, but also for the broader relationship of the finds to Anglo-Saxon, Frankish and German jewellery.Andrási, Júlia
early medieval, jewellery, and Crimea
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Journal article
The British Museum and the State Hermitage Museum: collaboration, exhibitions, research
Explores the long history of collaboration between these two museums through exhibitions, conferences, research, scientific exchanges and archaeological excavations over the course of the 20th and 21st centuries, and shows how museums exercise soft power and maintain dialogues even in challenging political timesSimpson, St John
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Book chapter
An analysis of coca leaves
Six Paracas/Nasca textiles with embroideries were scientifically examined not only to identify the fibres, but also to see if any of the textile bags contained traces of coca leaves. Scanning electron microscopy confirmed that one of these bags still contained tiny traces of coca leaves.Cartwright, Caroline
coca leaves, textile bags, and Peru