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2022
Journal article
Studying Saraha: technical and multi-analytical investigation of the painting materials and techniques in an 18th century Tibetan thangka
Scientific analyses of the traditional materials and methods in thangka production are uncommon, as thangkas are sacred objects, the sampling of which is discouraged, in order to preserve their integrity. This study builds on this important ethical challenge and presents a three-stage methodology that systematically delves deeper into each layer... -
2022
Book
Painting Amara West: The Technology and Experience of Colour in New Kingdom Nubia
The first in a series of volumes generated by the British Museum's Amara West Research Project, this explores the use of pigments and the experience of colour in the town founded around 1300BC as a centre of the pharaonic administration of Upper Nubia (Kush). Combining scientific analyses, archaeological fieldwork, and...Fulcher, Kate
pigments, colour, and Amara West
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2020
Book chapter
Defining a Romano-Egyptian painting workshop at Tebtunis
The collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, include eleven mummy portraits excavated between 1899 and 1900 from Tebtunis, Egypt. This group constitutes one of the largest assemblages of Roman-period mummy portraits to remain both together and unrestored since excavation; as such, it presents...Williams, Jane ; Cartwright, Caroline ; Walton, Marc
painting, Egypt, Tebtunis, mummy portraits, scientific research, wood anatomy, and pigments
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2020
Book
Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project
This research has revitalized scholarly and scientific research into Roman Period Egyptian mummy portraits and provided a critical tool for understanding their production and influence on the history of art.Svoboda, Marie ; Cartwright, Caroline
science, Roman Period, pigments, multispectral imaging, wood, mummy portraits, painted panels, and Egypt