Journal articleA thorough examination of Rembrandt’s early drawing of the Lamentation at the Foot of the Cross in the British Museum (Benesch 154; registration number Oo,9.103) using magnification (x10), transmitted light, infrared imaging and Reflectance Transformation Imaging (RTI), in order to conclusively establish the construction of the paper and the different...
Horbatsch, Olenka ; Snow, Rebecca ; Taylor, Samantha
Book chapterAn investigation of the interaction between word and image in the composite anagram poem-drawings of the Surrealist artist Unica Zürn.
Seligman, Isabel ; Seligman, Isabel ; Mason, Louis ; Kivland, Sharon ; Newman, Michael ; Macfarlane, Kate …
Book chapterThis essay examines drawing as a technology, using the lens of author Ursula Le Guin's 1986 essay 'A Carrier Bag Theory of Fiction' to reflect on many of the drawings exhibited as part of the Drawing Room's 'Drawing Biennial 2021'.
Conversations with the past: the influence of Rembrandt, Ingres and Picasso on Hockney's graphic portraitsAn ‘In Focus’ essay exploring the relationship between Hockney's graphic portraits, and works by Rembrandt, Ingres, and Picasso.
Seligman, Isabel ; Howgate, Sarah
BookThe accompanying title to the major British Museum exhibition Hokusai: beyond the Great Wave. Katsushika Hokusai (1760-1849) is widely regarded as one of Japan’s most famous and influential artists. This publication casts fresh light on the sublime paintings and prints Hokusai created in the last thirty years of his life,...