A non-invasive investigation of Egyptian faience using Long Wavelength Optical Coherence Tomography (OCT) at 2 μmEgyptian faience is a non-clay ceramic semi-transparent material formed of a quartz core and alkali-lime glaze. Previous investigations have identified production techniques by using microstructure images obtained from invasive methods. Optical coherence tomography (OCT) is a non-invasive 3D imaging technique that produces virtual cross-sections of transparent and semi-transparent materials. A...
Read, Margaret ; Cheung, C. S. ; Liang, Haida ; Meek, Andrew ; Korenberg, Capucine
BookThe first in a series of volumes generated by the British Museum's Amara West Research Project, this explores the use of pigments and the experience of colour in the town founded around 1300BC as a centre of the pharaonic administration of Upper Nubia (Kush). Combining scientific analyses, archaeological fieldwork, and...
BookAcross Eurasia and North Africa in the First Millennium AD, empires rose and fell, each adopting a universalizing faith which distinguished it broadly from its neighbours. In Egypt, our sources are particularly rich, owing to the land's arid climate and the unparalleled survival not only of stone, ceramic and metalwork,...
O'Connell, Elisabeth R.
Book chapterThis paper, co-authored by conservators from the Hirayama Studio at the British Museum, discusses whether staff at a Western institution have the right and appropriate qualifications to conserve objects from different cultures. What is appropriate in conserving culturally diverse material? Do we at the British Museum, on the one hand, risk...
Weiss, Carol ; Qiu, Jin Xian ; Kim-Marandet, Meejung ; Kosek, Joanna ; Kusunoki, Kyoko …
BookR.H. Codrington (1830–1922) graduated from Oxford University in 1856 and was ordained in 1857. He volunteered to work in Nelson, New Zealand, from 1860–4 and was appointed as headmaster of the Melanesian Mission training school on Norfolk Island in 1867. He spent the next twenty years in this post and...
BookAt centre stage in this volume is the Royal Clock Salt, an exceptional national treasure from the courtly culture of the Renaissance. Most probably made in Paris around 1530 by Pierre Mangot, the royal goldsmith to Francis I, the Clock Salt is somewhere between a jewel and a table ornament....
Schroder, Timothy ; Thornton, Dora
BookThe Berthier-Delagarde Collection is the most significant collection of Early Medieval jewellery from the Crimean region of the Ukraine in the West. The catalogue is important not only for the archaeology of the region, but also for the broader relationship of the finds to Anglo-Saxon, Frankish and German jewellery.
Journal articleExplores the long history of collaboration between these two museums through exhibitions, conferences, research, scientific exchanges and archaeological excavations over the course of the 20th and 21st centuries, and shows how museums exercise soft power and maintain dialogues even in challenging political times
Simpson, St John
Book chapterSix Paracas/Nasca textiles with embroideries were scientifically examined not only to identify the fibres, but also to see if any of the textile bags contained traces of coca leaves. Scanning electron microscopy confirmed that one of these bags still contained tiny traces of coca leaves.
Journal articleThe emergence and provenance of the Luristan Bronzes has been a subject of interest for many decades. This paper presents the results of elemental and lead isotopic analysis of a series of Luristan Bronzes discovered from recent excavations in the Sangtarashan sanctuary, as well as an extensive comparative study on...