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2019
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2021
Book chapter
Divine depictions: first representations of gods in Egypt
Ancient Egyptian iconography is characterised by the depictions of gods and goddesses. The number of deities appearing on tomb and temple walls and in religious literature grew steadily throughout the Pharaonic period. As foreign influences shaped, consolidated and altered the Egyptian identity, assimilations and comparisons with foreign gods enriched the...Regulski, Ilona
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2020
Book chapter
The Rosetta Stone. Copying an ancient copy
Epigraphy and palaeography are ways of recording, analyzing, and interpreting texts and images. This Handbook discusses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. The Handbook aims to • discuss current theories with regard to the...Regulski, Ilona
Egypt, Rosetta Stone, and Epigraphy
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2019
Book chapter
Origins of metals for countless bronzes
The proliferation of votive and ritual bronzes during the Late Period would have required a steady supply of metals, in the shape of either bronze scrap or raw materials — not only copper, but also lead, which often formed a high percentage of their alloys. While the use of recycled...Masson-Berghoff, Aurélia ; Pernicka, Ersnt
Egypt, metal, trade, supply of metal, workshop, chemical analyses, provenance, recycling metal, lead isotopes, and Egyptian bronzes
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2020
Book chapter
Understanding wood choices for ancient panel painting and mummy portraits in the APPEAR project through scanning electron microscopy
In Roman-period Egypt, it is clear that despite maintaining the traditional practice of mummification, there was a fashion for funerary portraiture that echoed Greek and Roman traditions in the Mediterranean region. The excellent condition of preservation of the wood anatomy of these mummy portraits enabled an unexpected revelation from their...Cartwright, Caroline
Egypt, scanning electron microscopy, timber, Roman period, wood anatomy, and mummy portraits
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2019
Book chapter
Identifying ancient Egyptian coffin woods from the Fitzwilliam Museum, Cambridge using scanning electron microscopy
This chapter presents the results of a major programme of wood identifications of a large number of Egyptian coffins in the Fitzwilliam Museum collection. It exemplifies the range, use and limitations of local woody resources, as well as the selective import of prestige timbers, fundamental to the development of a...Cartwright, Caroline R.
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2020
Book chapter
Defining a Romano-Egyptian painting workshop at Tebtunis
The collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, include eleven mummy portraits excavated between 1899 and 1900 from Tebtunis, Egypt. This group constitutes one of the largest assemblages of Roman-period mummy portraits to remain both together and unrestored since excavation; as such, it presents...Williams, Jane ; Cartwright, Caroline ; Walton, Marc
painting, Egypt, Tebtunis, mummy portraits, scientific research, wood anatomy, and pigments
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2014
Book chapter
Seal impressions from Tell Iswid
Regulski, Ilona
Sealing, Egypt, and Archaeology