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Book
Speak My Name: Investigating Egyptian Mummies
“Speak my name so that I may live again” was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife.Fraser, James ; Lord, Conni ; Magnussen, John
Egypt, Mummies, and Scientific analysis
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Book chapter
Seal impressions from Tell Iswid
Regulski, Ilona
Sealing, Egypt, and Archaeology
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Book
Egypt and Empire: The Formation of Religious Identity after Rome
Across Eurasia and North Africa in the First Millennium AD, empires rose and fell, each adopting a universalizing faith which distinguished it broadly from its neighbours. In Egypt, our sources are particularly rich, owing to the land's arid climate and the unparalleled survival not only of stone, ceramic and metalwork,...O'Connell, Elisabeth R.
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Book chapter
Defining a Romano-Egyptian painting workshop at Tebtunis
The collections of the Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley, include eleven mummy portraits excavated between 1899 and 1900 from Tebtunis, Egypt. This group constitutes one of the largest assemblages of Roman-period mummy portraits to remain both together and unrestored since excavation; as such, it presents...Williams, Jane ; Cartwright, Caroline ; Walton, Marc
painting, Egypt, Tebtunis, mummy portraits, scientific research, wood anatomy, and pigments
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Book
Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project
This research has revitalized scholarly and scientific research into Roman Period Egyptian mummy portraits and provided a critical tool for understanding their production and influence on the history of art.Svoboda, Marie ; Cartwright, Caroline
science, Roman Period, pigments, multispectral imaging, wood, mummy portraits, painted panels, and Egypt
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Book chapter
Identifying ancient Egyptian coffin woods from the Fitzwilliam Museum, Cambridge using scanning electron microscopy
This chapter presents the results of a major programme of wood identifications of a large number of Egyptian coffins in the Fitzwilliam Museum collection. It exemplifies the range, use and limitations of local woody resources, as well as the selective import of prestige timbers, fundamental to the development of a...Cartwright, Caroline R.
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Book chapter
Understanding wood choices for ancient panel painting and mummy portraits in the APPEAR project through scanning electron microscopy
In Roman-period Egypt, it is clear that despite maintaining the traditional practice of mummification, there was a fashion for funerary portraiture that echoed Greek and Roman traditions in the Mediterranean region. The excellent condition of preservation of the wood anatomy of these mummy portraits enabled an unexpected revelation from their...Cartwright, Caroline
Egypt, scanning electron microscopy, timber, Roman period, wood anatomy, and mummy portraits
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Book chapter
Origins of metals for countless bronzes
The proliferation of votive and ritual bronzes during the Late Period would have required a steady supply of metals, in the shape of either bronze scrap or raw materials — not only copper, but also lead, which often formed a high percentage of their alloys. While the use of recycled...Masson-Berghoff, Aurélia ; Pernicka, Ersnt
Egypt, metal, trade, supply of metal, workshop, chemical analyses, provenance, recycling metal, lead isotopes, and Egyptian bronzes
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Book chapter
Divine depictions: first representations of gods in Egypt
Ancient Egyptian iconography is characterised by the depictions of gods and goddesses. The number of deities appearing on tomb and temple walls and in religious literature grew steadily throughout the Pharaonic period. As foreign influences shaped, consolidated and altered the Egyptian identity, assimilations and comparisons with foreign gods enriched the...Regulski, Ilona
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Book chapter
The Rosetta Stone. Copying an ancient copy
Epigraphy and palaeography are ways of recording, analyzing, and interpreting texts and images. This Handbook discusses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. The Handbook aims to • discuss current theories with regard to the...Regulski, Ilona
Egypt, Rosetta Stone, and Epigraphy