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British Museum Studies in Ancient Egypt and Sudan (BMSAES) Issue 26
The transfer of wall paintings from their original locations has been practised since antiquity. Many art collections contain wall paintings which were historically detached and rebacked. Such transfer is now rarely undertaken, and only under very specific circumstances. This extensive article is specifically concerned with the transfer of ancient Egyptian...British Museum
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Journal article
Trends in Myanmar wall paintings from the eleventh to the twentieth centuries
Wall paintings in Myanmar have a long history. Extant remains date as far back as the eleventh century, and murals continue to be produced today. This paper is based on the survey of more than 150 temples in the central zone of Myanmar, exploring the imagery to consider its role...Green, Alexandra
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Book
Painting Amara West: The Technology and Experience of Colour in New Kingdom Nubia
The first in a series of volumes generated by the British Museum's Amara West Research Project, this explores the use of pigments and the experience of colour in the town founded around 1300BC as a centre of the pharaonic administration of Upper Nubia (Kush). Combining scientific analyses, archaeological fieldwork, and...Fulcher, Kate
pigments, colour, and Amara West
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Journal article
Dye identification in mounting textiles of traditional Korean paintings from the Late Joseon Dynasty
In the framework of the ‘Amorepacific Project for the conservation of Korean pictorial art’ (2018–2023) at the British Museum, three traditional Korean paintings have been investigated with the aim of supporting their conservation and obtaining information about the dyes used in the mounting textiles and other mounting elements. The paintings...Tamburini, Diego ; Kim-Marandet, Meejung ; Kim, Sang-ah
textiles, dye analysis, and Korean art
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Book chapter
Understanding wood choices for ancient panel painting and mummy portraits in the APPEAR project through scanning electron microscopy
In Roman-period Egypt, it is clear that despite maintaining the traditional practice of mummification, there was a fashion for funerary portraiture that echoed Greek and Roman traditions in the Mediterranean region. The excellent condition of preservation of the wood anatomy of these mummy portraits enabled an unexpected revelation from their...Cartwright, Caroline
Egypt, scanning electron microscopy, timber, Roman period, wood anatomy, and mummy portraits
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Journal article
Studying Saraha: technical and multi-analytical investigation of the painting materials and techniques in an 18th century Tibetan thangka
Scientific analyses of the traditional materials and methods in thangka production are uncommon, as thangkas are sacred objects, the sampling of which is discouraged, in order to preserve their integrity. This study builds on this important ethical challenge and presents a three-stage methodology that systematically delves deeper into each layer...